Julie's had four of her recent fashion designs printed as postcards. They are available from the studio and The Loft, either as single cards or as a gift pack. The originals are a combination of line drawing and cut paper, overlaid on scans of vintage material from Julie's collection.
Friday, 12 April 2013
Sunday, 10 March 2013
Is This Caravaggio's Missing Masterpiece ?
Caravaggio's missing masterpiece, The Humiliation of St Kenneth, has miraculously reappeared in Tollesbury. Believed by experts to have been lost for ever after the painter's mysterious death in 1610, the canvas was found in the porch of St Mary's Church in the village last Sunday morning.
But it now seems that the painting may have been in the area for a considerable time. Local 'character' Stan Mudrise (94) says he recalls the then heavily-varnished canvas, complete with frame, being use to patch up the leaking roof of his grandparents' outside lavatory, before that was destroyed by a bomb dropped from an off-course Zeppelin during the Great War.
Unfortunately the painting has, in the intervening years, been rather crudely restored, with the features of Caravaggio's original subjects now bearing more than a passing resemblance to the cast of 'Carry On Doctor'.
Experts from the National Gallery and the Courtauld Institute, as well as from Sothebys, are expected in the village at any time. They will be attempting to authenticate, and to try to put a value on, this immensely important work.
The Humiliation of St Kenneth is temporarily on display at Saunders & Co., where it can be viewed by appointment only.
But it now seems that the painting may have been in the area for a considerable time. Local 'character' Stan Mudrise (94) says he recalls the then heavily-varnished canvas, complete with frame, being use to patch up the leaking roof of his grandparents' outside lavatory, before that was destroyed by a bomb dropped from an off-course Zeppelin during the Great War.
Unfortunately the painting has, in the intervening years, been rather crudely restored, with the features of Caravaggio's original subjects now bearing more than a passing resemblance to the cast of 'Carry On Doctor'.
Experts from the National Gallery and the Courtauld Institute, as well as from Sothebys, are expected in the village at any time. They will be attempting to authenticate, and to try to put a value on, this immensely important work.
The Humiliation of St Kenneth is temporarily on display at Saunders & Co., where it can be viewed by appointment only.
The Humiliation of St Kenneth
Oil on canvas 40" x 30"
Saturday, 9 March 2013
Paper cut-out paintings
Julie's turned four of her paper cut-out landscapes into large acrylic paintings, and they look really impressive. She'd shifted loads as post and greetings cards and liked the idea of turning them into paintings. The first she did, Tollesbury Creeks, was painted freehand but took coat after coat of acrylic to get the depth and solidity of colour that she wanted. This led to experimentation with various tapes and scalpels until she hit on a working method she was happy with. So these are more like one-off prints - masked up and cut out and painted. Come and take a look for yourselves; they're bold, bright and crisp and are on display at Saunders & Co.
Across to Mersea
Acrylic on canvas 36" x 24"
£450
Tollesbury Fleet
Acrylic on canvas 36" x 24"
£450
Red Hill on the Blackwater
Acrylic on canvas 24" x 36"
£450
Tollesbury Creeks
Acrylic on canvas 48" x 30"
£600
New landscapes
Here are a couple of new Tollesbury landscapes, one large and one small.
The first, 'Yellow Field', is a view at low tide looking inland over the flooded field from the breached sea wall. This really is "As seen on TV !", as it's the very mud from which Ray Winstone as Magwitch ominously emerged in last year's BBC adaptation of Great Expectations
The second, 'Lightship, Creek, Creek, Hard', is the view looking over the saltings from the sea wall behind the sailing club. The four separate 7" x 5"canvasses are framed together in a reclaimed plank, giving the impression - I hope - of looking out of the windows of an abandoned boat.
The first, 'Yellow Field', is a view at low tide looking inland over the flooded field from the breached sea wall. This really is "As seen on TV !", as it's the very mud from which Ray Winstone as Magwitch ominously emerged in last year's BBC adaptation of Great Expectations
The second, 'Lightship, Creek, Creek, Hard', is the view looking over the saltings from the sea wall behind the sailing club. The four separate 7" x 5"canvasses are framed together in a reclaimed plank, giving the impression - I hope - of looking out of the windows of an abandoned boat.
Yellow Field
Oil on canvas 60" x 30"
£900
Lightship, Creek, Creek, Hard
Oil on canvasses in reclaimed pine frame 8" x 36"
£500
Saturday, 4 August 2012
Latitude Sketchbook
We went to the Latitude festival in Suffolk last month and had a quite splendid weekend. I managed to fill half an A6 sketchbook with pen drawings of bands and other performers. Here's a selection . . .
Fatoumata Diawara in the Word Arena
Jeremy Deller Q and A session, Film and Music Arena...
Dawes in the I (as in the newspaper...) Arena
Seye and band on the Lake Stage
...and on his own.
Lana del Rey in the Word Arena
Rob Auton in the Poetry Arena
Dingus Khan on the Lake Stage
Lianne La Havas in the Word Arena
Esperanza Spalding and band in the Obelisk Arena...
...and Richard Hawley in the same place
Los Campesinos! on the Lake Stage
Richard Marsh in the Poetry Arena
Tina C and Sun of Cash in the Outdoor Theatre
Alabama Shakes in the Obelisk Arena
Edward Sharpe and the Magnetic Zeros in the Obelisk Arena
Benjamin Zephaniah in the Poetry Arena
....and again
Paul Weller in the Obelisk Arena
Sunday, 10 June 2012
Jubilee Window
Another back-to-front painting on the bay window, this time to mark the Queen's Diamond Jubilee. The splendid design is just copied off an old Oxo tin from the 1953 Coronation (which we've put in the window too) that I saw at our friends' house a couple of years ago, and thought I'd like to do something with one day.
Friday, 4 May 2012
Southwold murals old and new.
In 2003 Tim painted a 8' x 12' mural on the end wall of the house adjacent to our friends' place in Southwold. Building work and damp problems over the years resulted in rerendering the wall and the mural disappeared. A new one was commissioned (this time on an interior wall) and is currently a work in progress.
The first mural was painted with masonry paint tinted with tester pots, and was inspired by the look of old railway posters. The new one is based on a pen and watercolour sketch of a similar view of Blackshore, with Southwold beyond, from the Walberswick side of the River Blyth. It's blown up to about seven feet wide and is painted in acrylics, trying to keep the spontaneous look of the original. Take a look at the March 2012 blogs to see another mural painted using the same method.
The pictures below show the old outside mural soon after it was painted, then the watercolour sketch the new one is based on, and finally the new one - so far, just painted lines.
The first mural was painted with masonry paint tinted with tester pots, and was inspired by the look of old railway posters. The new one is based on a pen and watercolour sketch of a similar view of Blackshore, with Southwold beyond, from the Walberswick side of the River Blyth. It's blown up to about seven feet wide and is painted in acrylics, trying to keep the spontaneous look of the original. Take a look at the March 2012 blogs to see another mural painted using the same method.
The pictures below show the old outside mural soon after it was painted, then the watercolour sketch the new one is based on, and finally the new one - so far, just painted lines.
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